The Buddy Holly Story @ Darlington Civic

 

I have a lot to thank my Mum & Dad for; my sense of what is right & wrong, a confidence in the kitchen to try new tastes and a great appreciation of all types of music.  It's true that our choices in music are probably very different now, but growing up, my brother & I were treated to the whole range of early rock 'n' roll, pop, country and 60's contemporary.  One of dad's favourites was Buddy Holly and although I knew a bit about his life and his songs, I wouldn't profess to knowing the full ins & outs. 

The show is a great story of Buddy's life from his initial song writing, his first radio play, first aborted attempts with a contract with Decca and how he & the Crickets finally broke into the national & international music scene.  What I hadn't realised was the speed in which they turned out the songs - less than 3 years from start to tragic end and yet there are over 20 songs in this show, all of which are classic toe-tappers.  His speed in the music writing was only matched by his speed in courting - he proposed to his wife after knowing her for only 5 hours !  Of course, we all know about the terrible early end to his life in a plane crash; this too had a touch of the inevitable about it; they weren't due to fly at all, but Buddy wanted to get to the next venue ahead of the rest of tour to help get things set up and so they chartered that ill-fated flight.

The production for this tour is wonderful with some great use of scene fades to help keep the sense of time in the studio moving along, while the stage shows are full of energy.  The depiction of Buddy & the Crickets' 1st show at the Apollo Theatre in Harlem was wonderful & funny.  The musicians are all very talented, none more so than Roger Rowley who expertly played the lead with all the mannerisms, drive, passion and innocence that the great man was known for.  Of all the actors on show, however, one stood out for me - Felicity Chilver who played Buddy's wife Maria Elena.  Maybe her Mexican accent had the slightest tendency to slip towards Welsh (which made it even more adorable) but that was completely forgiven by her captivating performance as 'Mrs Holly', not to mention that she is very, very cute !

Approx 95% of the audience were of an age who would have remembered Buddy Holly 1st time round and this became even more evident as the show moved towards it's climax - a thrilling, high energy melody of the best rock 'n' roll songs of the time.  Whilst there may have been a few stiff hips stopping too many dancing in the aisles, the singing was loud and the handclapping in complete unison.

If you enjoy live music, if you love rock 'n' roll and if you want to see a great story with a great cast then Buddy is most definitely for you - it's on all week at the Darlington Civic so get your tickets & Rave On ! 

As always, the Civic plays a great host, excellent sound & sightlines and very friendly & helpful staff.

Drumchasers @ Darlington Civic

 

You know, with all the social media, tweeting, Facebook etc I honestly thought that the days of finding a new show for which I had no ideas, expectations or pre-conceptions was sadly over.  (To tell you a secret, all my life I have wished I had been in the audience for the first showing of the Rocky Horror Show, way back before the midnight costume parties and the huge cult following but alas no, I was destined just to be a follower.)  Well after tonight I honestly believe that in years to come I can stand proud and say "Yes, I saw it before they took the West End by storm"

Ethan Lewis Maltby's DrumChasers is unlike any other show I have ever seen; a mesmerising blend of unbelievable drumming coupled with beautiful dancing all set to a futuristic tale of power, rivalry and love.  Actually, to say its all drumming is doing a grave dis-service to the whole percussion experience including some truly beautiful glockenspiel melodies.  This is story-telling-without-words at its best and it had me hooked from the first beat to the very last.

Georgina King's choreography is wonderfully synchronised, evocative and yet simple, but it's not until you really watch the stage that you realise that it's no mean feat to match expressive dance with demanding drumming & exacting rhythms.

Make no mistake, this is not a show of 10 drummers simply stood on stage; each character has their own story, their own personality which they bring to the fore through genuine acting (there is no dialogue at all which makes the story telling even more engaging) and very quickly you understand the premise of the show, even before Stephen Fry's narration of the Noiseland Tale (written by Jenna Donnelly) comes in about half way through act 1.

The story, without wanting to give too much away, is about a race of people, the Drumchasers from Noiseland, who, through the loss of a worshipped relic become fractured and warring.  This relic finds it's way to earth and is discovered by Mr Bennet, a stage caretaker (played wonderfully by somebody's grandad - actually its none other than Mr Jack Warner).  His unwitting discovery prompts the Drumchasers and their guardian peacekeeper Weckl (deliciously played by the vampish Rachel Stock) to come to earth and continue their rivalry.  This is done through what I can only describe as battle drumming, a sort of dance off using percussion.

Through all of this we are treated to the impish mischief of Gene (played by Amy Kelly), the macho posturing of Blades & Vinnie (James Hulme & James Godfrey) and an age old story of two lovers from the opposite sides. Playing out like a futuristic West Side Story, Buddy (a very dishy Simon Morgan-Thomas, according to my daughter) and Eve (a very cute Stephanie Clarke) try to unite the two sides but as with all torn-lovers tales, it is far from easy.

As the story works towards its conclusion the beats become more frantic, the surprises get bigger and the choreography even more impressive (there's a great scene set in almost complete darkness - honest, believe me!).  I won't spoil things by telling you the rest of the show, 'cept to say that you should really seek out this production, take the family and go lose yourself in the rhythm.

At the end, once the final curtain came down, there was a quiet sense of awe in the audience, almost like a collective reasoning, like we had shared a moment.  We probably had as no-one truly knew what to expect, yet everyone agreed it was awesome.

There have been some iconic shows which define or even create their own genres; Riverdance, Cirque de Soliel,  The Mousetrap, We Will Rock You - I believe that we have seen another tonight which could do the same - it truly is that special that I urge anyone to treat themselves and go and see it.

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Added 8/10

Just back from watching the DrumChasers at Durham Gala, a fabulous venue and perfect for this show, the acoustics were spot on and the view (we were sat at the back of the stalls) meant we could truly appreciate the wonderful precision playing, especially the 2 James on the marimba. 

Its funny how much more you see when you watch a show again; I guess the first time I was quite unprepared for it all, whereas this time I could really take it in - I hadn't been aware of how much was going on on the gantry at the back, especially with Weckl.  Word of Warning - I honestly believe that following Rachel Stock's hips could give you whiplash !

Anyway, the show is on a break now, but is back touring towards the end of October so check out their web site for details - www.drumchasers.co.uk and  keep chasing drums.

The Verdict @ Darlington Civic

I have to admit that whilst I profess to being reasonably literate and enjoy a wide range of reading material in the bookcases at home, I have yet to enter into the realms of Agatha Christie - no particular reason, I've just found more appealing titles grab my attention first. 

Of course I am aware of the blockbusting films based on her famous novels but Monday night presented the opportunity to sample first hand a play written by Ms Christie specifically for the stage.

Verdict is very different from the standard fayre associated with Agatha Christie; for one, it is not a whodunit, we are presented first hand with the situation & witness the act with no sense of mystery.  It is more like a melodrama but this in no way detracts from the exquisite word play and character depth.

The play tells the story of Karl Hendryk, a brilliant professor who, with his wife and her cousin, have fled persecution in their country. The professor is happy to devote his time to life in a British university, where he becomes much sought after by students & teachers alike. His wife, Anya, is an invalid who resents having to leave her home & follow her husband to London.  She readily recognises her dependency on her husband and cousin, Lise, and teeters on the brink of suicidal tendencies. Whilst Karl and Lise have suppressed feelings for each other their love for Anya prevents them ever acting on these however when a rich young rich student, Helen Rollander, takes on private lessons with the professor the status quo is permanently upset.

The story plays out completely in the professors flat, there are no scene changes; this really draws you into the characters' world and adds to the intensity , especially when Anya laments being 'trapped' in a dull & soulless place. 

The cast, who arguably have much less to work with than in other Christie productions have, in my view, more scope to deliver themselves into the parts; the lack of plot twists, secrets and subterfuge demands more emotionally charged deliveries to keep the story moving and Monday's players did not disappoint at all. 

Robert Duncan plays the man who loves 2 women and is loved by 3 with an almost innocent 'absent minded professor' approach creating a beautiful yet pitiful vulnerability.  Susan Penhaligon  delivered an emotionally charged Lise beset with frustration, devotion and despair - of all the productions I have seen this year Susan's was undoubtedly the most moving.  Holly Goss, as the spoilt little rich girl Helen Rollander provides a wonderful twist on the femme fatale whilst Mark Wynter as Dr Stone adds pace and friendly direction through Karl's emotionally intense musings.  Just to balance this seriousness, Elizabeth Power's house keeper Mrs Roper has a wonderful timing, cutting through the tension as she 'eases the burden'  of there being too much tea in the house.

If you're looking for a classic Christie murder mystery then this is not for you, however if you want a wonderfully engaging play, more a why-do-it than a whodunit, and delivered by a great cast then look no further.

Agatha Christie's Verdict is at Darlington Civic Theatre from 26th Sept to 1st October

Fascinating Aida Cheap Flights @ Newcastle

Sunday nights have always been a bit of a bore to me.  First it was the bath & early night before school, then the lull after a fun weekend before the drudgery of work, and finally the end of Super Sunday live football with only Countryfile to keep me from bed by 9.  Last night, however I had the best Sunday night of many a year, setting the bar impossibly high to beat and in the process introducing me to an absolute gem of an act.

I must admit, I only heard about Fascinating Aida when a friend sent me a link to “Cheap Flights” on YouTube – by that time the clip had gone fungal (!), so when the chance came to go and watch them live it was with intrigue and anticipation that I arranged the tickets.

From the first minute to the last of 2 hefty encores, the 3 ladies of mirth & musical merriment delivered the upmost in comic & satirical wordplay to give Flanders & Swann, Stephen Fry, Victoria Wood, Monty Python, Mel Brooks and Richard Digance (yes I still remember him) good reason to hang up their quills, put away their pianos and accept that they have been completely usurped.  (Sorry Stephen, you’re still my favourite presenter but even you cannot match three lovely ladies on stage)

Founded by  Dillie Keane in 1983 and joined in 1984 by Adele Anderson, Fascinating Aida have been successfully touring the world for over 25 years, delivering their blend of cutting satire with operatic harmonies and quint-essential devilment.  Now assisted by Sarah-Louise Young (who, by Dillie’s own admission, halves the average age of the group) we were treated to the full array of melodious mischief including songs about Dogging, the Economy (for which I daren’t disclose the title for fear of reproach by my mum), Modern Art, the aforementioned Cheap Flights and a wonderful exploration of the nuances of Bulgarian folk music.  The musical scope didn't stop at thematic harmonies, there was Dillie's wonderful Hip Hop omage to keeping up with the kids, Sarah-Louise's lament for the previous nights 'rendezvous' and Adele explaining how to be German. 

In these times of austerity and reduced disposable income, when times are bad and spirits low, when the world is teetering on the brink of a double dip, I can offer this suggestion; forego eating for a week, pass up the chance to buy those new shoes, stop the kids pocket money for a month – in fact, do anything to make sure you can buy a ticket for this show – the impact will be far reaching, the smiles long lasting and the glow of inner happiness..... who am I kidding, just go and watch 3 super talented & utterly charming ladies verge on dirty and forget your troubles for the night.

This was a night of firsts for me; it was also the first time I had been to the Journal Tyne Theatre, formally known as The Stoll.  What a wonderful theatre, full of character retaining all the charm of an old music hall and filled with the essence of hundreds of years of performing.  I doubt, however that it had ever played host to such a compelling & embracing example of cabaret which completely enthralled the audience.  A special thank you goes to Phil, the duty manager, who personally ensured that my brother & I had a very comfortable 2^nd half.

Live Psychic & Science @ Darlington Civic

I love scary movies, ghost stories and tales of the supernatural; Japanese films like Ju-On, The Grudge and Ringu with their basis on spirit, vengeance and unfinished business are my staple fayre for a Saturday night.  Likewise local tales of the unexplained grab my imagination completely, but if someone was to ask if I was a 'believer' then I would probably have to say not quite, not yet anyway.

I guess that because for work I deal with facts, figures and exact things, the prospect of things I can't explain really fascinates me. I am not someone who tries to rationalise these type of thing either, just very happy to live in the moment and keep an open mind.

So, when I saw the opportunity to go to Darlington Civic theatre to watch the Live Psychic & Science show I was immediately intrigued; how would a theatre full of watchers respond to a stage show offering live seances, a human pendulum and many more.

Hosted by Paul Gannon and calling on the expertise of TV medium Chris Conway, paranormal investigator Denise Mott and paranormal historian Richard Felix, the calibre of our earthly guests was impressive.  (as anyone who has watched "Most Haunted" would agree).  This was only the 2nd show in the tour and some of the technical solutions were still being fine tuned (although in this type of show, any interruption to the 'norm' could be attributed to interference by other visitors)

Paul proceeded to introduce the show and set the scene for what we were about to enjoy - the theatre was going into lock down (a great phrase which immediately heightened feelings), that Chris would be protecting the audience and should anyone feel unwell they should make it known to Denise who would be amongst the auditorium.

We were to be treated to a Ouija Board, a seance, a human pendulum, a lone vigil and many more exercises in exploring the spirit side of this old theatre, but what really worked for me was the small interjections by Richard who, as a paranormal historian, brought some local focus and a degree of explanation to the evenings activities.  Richard had explored the history of Darlington, the town and of course the theatre and was able to add stories from the past which really gave a grounding to the spirit interaction we witnessed.

I will resist the temptation to take you through each part of the show in depth; for anyone who is thinking of going to see this show it would be unfair to remove the cloak of the unknown but as each venue will be different I can let you in on a couple of specifics.

Throughout the show there were very strange feelings; icy blasts of air (and it's a very old theatre so it wasn't the air conditioning), a sense of being watched from behind, I had the distinct feeling of a hand grabbing the back of my neck (and there was no-one in the row behind) and regular emotions of unease & almost sadness.

Through the Ouija board (which was guided by 9 members of the audience and Chris) we made contact with the spirit of a stage hand who hanged himself in the theatre.  Chris was also able to guide the spirit of a little girl who lost her life in the theatre (the question "were you murdered?" received a very definite Yes response from the board and an audible gasp from the audience). 

The human pendulum, in which a member of the audience volunteers to allow themselves to be moved by spirit in response to Yes & No questions was possibly the most intense as the messages which came through were very personal to another member of the audience, someone who was looking for some closure and hopefully she got it (it was very moving to witness).

The show moves at a great pace, which only serves to intensify the feelings when the focus stops on one specific entity.  At times there were many different happenings all at once - spirits both upstairs & down, unease in the theatre box, the lone vigil on the overhead screen as well as the guided interaction through the group on stage but Paul manages very well to keep everything together without it feeling chaotic (having said that, spirits are a law unto themselves so they won't always stick to the 'running order'). 

Richard explained, there are 3 types of people - believers, cynics and sceptics.  Believers welcome any opportunity to interact with spirit, cynics are out to disprove, debunk or at least refuse to accept there could be a spirit world,  whereas sceptics have yet to be convinced but are open of mind. 

I entered the show as a sceptic; I like to think I have an open mind but I also like my own proof before truly accepting.  I left the show with more questions than answers yet leaning very much towards being a believer.