Blood Brothers @ Darlington Civic

Maureen Nolan gives a powerful and emotional performance at Darlington Civic

Everyone knows the story of the Johnston twins, as identical as two new pins, and as such, almost everyone who comes to see Willy Russell's Blood Brothers does so with a degree of expectation which rivals most other shows.  Little has changed in the 29 years since the show first hit the stage; the songs, the set and the mood all remain instantly recognisable, and yet the brilliance of the writing and the complexity of the characters provide each production with an opportunity to add their own special take.

Set in Liverpool over 25 years it plots the course of the lives of twins who, having been separated at birth, remain fatefully linked through common loves, shared struggles and ultimately both unknowing of their own secret. To many, the underlying story is one of nature versus nurture, but it's far more complex than that; no two humans are identical, despite them being twins and as such it is emotion that separates the two boys more than miles or money.

Maureen Nolan plays the boys' mother, Mrs Johnston, and is simply perfect.  She brings a worldly-wise element which deepens the belief that she has lived through all she sings of. She has a brilliant maternal embrace for the part, blending the love only a mother could have with the strength to defy the odds and fight against the cruel hand of fate.  Maureen starts the show light on her feet, twinkle in her eye and a cheeky smile, yet, by the time of the final scene we have watched her grow old before our eyes, lose the joys of life and finally witness the spectre of death that has haunted her throughout.     I defy there to have ever been as powerful and emotive lead seen at Darlington Civic and this was borne out by the sight at the very end of the sell out audience rising as one to give one of the most rapturous and intense ovations.

Of course, the story is not just Mrs Johnston, the rest of the cast are brilliant in their delivery too.  Kristopher Harding as the narrator is the ever present shadow of conscience, skulking in the dark, sliding through scenes as the fore-mentioned spectre and constantly reminding us that this story is destined to be an unhappy one.  Sean Jones (Micky) and Joel Benedict (Eddie) have great chemistry and play off each other like brothers always do.  In particular, Sean's portrayal of Micky as he descends into depression and pill dependency is a huge shift from the care free, rebel with a smile Micky he plays earlier and demonstrates a wonderfully deep appreciation of the role and human nature.  Danielle Corlass, as Linda, undergoes perhaps the biggest shift in character; starting as a 7 year old tom boy, she morphs into a giggling adolescent, then a lovestruck teenager before becoming a newly wed and ultimately a heartbroken widow.  For all that Maureen Nolan takes centre stage as the linchpin of the story, Danielle is the perfect foil to remind the audience that this is not a one dimensional story about the boys.

If there are any who have yet to see Blood Brothers, this will be the best and most memorable show you will see this year, for those who have seen previous productions you owe it to yourselves to go and see this one and marvel at the best Mrs Johnston - just remember a large supply of tissues.

Joseph & the Amazing Technicolour Dreamcoat @ Darlington Civic 2014

A great way to warm up for the festive funtime

Back once again like a renegade master, this timeless classic has been revamped for the modern age, a High Def version if you like and, as one would expect from a show which centres on such a range of colours, it really benefits from the use of 'new age' technology and choreography.

The story of the Lloyd Webber /Rice musical collaboration is probably as well known as the biblical story of Joseph; for many it is their first foray into musical theatre either as a child on a school trip or playing a part in a school production.  As such, as you settle into your seat and the first few bars of the opening overture build, there is a comforting warmth of knowing contentment, but with this comes the danger that familiarity breeds contempt.  Well, fear not, for this production is as fresh and dazzling as a first year show trying to get an extension.

The casting of Danielle Hope as the narrator is inspired; Danielle takes centre stage regardless of where she stands, has all eyes on her without demanding any attention and has the perfect voice to tell the story.  This is one of the hardest roles to perform in musical theatre, it needs verbal gymnastics linked to an impeccable memory to keep track of all the brothers and colours, there needs to be sympathy, empathy, passion and no small amount of humour, it all has to be kept within the frame of being a storyteller and Danielle manages it with aplomb.  Many years ago I watched my first production of Joseph, the narrator, Karen, was brilliant and ever since none have been able to compare - you never forget your first - but Danielle is certainly a candidate to take that crown.

Lloyd Daniels as Joseph has all the innocence and naivety needed for the early part of the show (thought just quite how innocent he can remain playing with Potiphar's wife each night remains to be seen) - whilst later he manages to morph into Pharaoh's aide with all the pomp and importance.  Having one of the most iconic songs ever performed in musical theatre, Any Dream Will Do, Lloyd clearly enjoys the responsibility and revels in his multicolour frockery.

The rest of the supporting cast have boundless energy, which is just as well as Henry Metcalfe has the choreography turned up to 11.  Flappers, cowgirls, vamps, Frenchmen and of course, camels, all test the repertoire and all are fabulously performed with no shortage of humour.  The lighting design is particularly worthy of mention, never have the colours been so pure, so vibrant and clear - it really is like watching in High Definition.

So, for lifelong fans and new additions to the Joseph family, get your tickets, warm up your camel and head on down to the Civic, but be prepared not to leave early, the cast clearly love what they do and respond to the audience demands for encores; with standing ovations guaranteed at every performance you're going to get at least 3 or 4 additional numbers at the end.