Showing posts with label Chloe Dargue. Show all posts
Showing posts with label Chloe Dargue. Show all posts

Wednesday, 2 April 2014

Grease by Darlington Operatic Society

They're the ones that YOU want !!



Following on from last Autumns spectacular, Strictly Musicals, Darlington Operatic Society launched their Spring show, Grease, last night to huge applause, standing ovations and no shortage of critical acclaim.

Every year, DOS leave their audiences wondering how they can possibly top their most recent show, and every year they go one better - well with this show they've totally upped the bar when it comes to professional production values, great voices and bags of family fun.  Packed with all the classic songs known and loved from the biggest musical film of the 70's, this is much more than a simple sing-a-long stage version of the Travolta & Newton-John legend.  The choreography keeps it fresh and lively while the slight change in the musical running orders stops any complacent viewer from shuffling "I know what's coming next".  As for the cast, everyone on the stage looked like they had accomplished a childhood dream to 'sing Grease' on stage in front of a full house.

The leads, Michael Hirst and Selena Blain managed what so many since John & Olivia have tried and failed - they really gave you the impression they were into each other and the chemistry was there for all to see, bubbling under.  Michael had the swagger of Travolta, helped in no small part by his proud jaw line, cheeky smile and smooth moves while Selena (who many will remember for being Aerial in Strictly) had all of Newton-John's candy kitsch and faux innocence until the bg switcheroo at the end.  I don't want to spoil just how amazing Selina looks as sexy Sandy, but I will steal a quote from a previous show, The Producers, when I say "you can't see it but we're giving you a standing ovation."

Of course, there are more than just the two love birds in this show - Nick Holmes as Kinickie is perfect for belting out "Grease Lightning" and it is very clear that he has studied all the words to ensure his 'actions match up to their meanings'.  Katie Carter, making her DOS debut as Rizzo had a great first act in which she stays very much the matriarch of the gang, slightly aloof, cocksure and more mature than the other girls, but it was halfway through the second act, with her solo of "There are Worse Things..." that Katie stopped the whole auditorium dead in its tracks.  She managed to bring out Rizzo's vunerablilty perfectly, pealing away her protective shell to show a glimpse of the little girl underneath, before putting the barriers back up and returning to the hard Rizzo of before.

One of the great things of a stage show over a film is that there is more licence to allow some characters to relax and have bit a more fun - nonemoreso than Andrew Hamilton and Hayley Walker who, as Roger and Jan, brought the house down with their mickey taking and comedic ribbing, especially as they extol the virtues and love of lunar pastimes.  Even when she is not front and centre, Hayley adds so much to her character - at times I found myself watching her instead of centre stage and laughing at her extra little antics.

Another who made me hope she would be in all the scenes was Claire Williams, playing Patty - she is just so adorably high octane that you want to box her up, put her on a shelf and keep her for those days when you're feeling a little low - she is a pocket rocket of energy, the perfect Little Miss Goody Goody and a great mover to boot.

The set design and choreography are all fantastic and show true ingenuity in how to make the most of stage space while the costumes remain true to the feel of the film without being mere copies - that said,  Glyn Bigham in his all white suit was a heavenly vision straight out of the (Beauty) school of Frankie Avalon.

Of course, Grease is habitually a younger persons show, it is, after all, set in High School, but that's not to say that there weren't parts for all ages of the society. It is a great testament to the all the cast of DOS that so many familiar faces from Strictly Musicals were present in the company, and even though they weren't taking leads this time they looked like they were still having a fantastic time.

Looking round the theatre before curtain up and talking to many at the interval, it was obvious that the majority of the audience were there to see Grease based on a love of the film, however at final curtain everyone agreed that this performance was every bit as good as the movie and then some - there is a far better connection to the characters when you can see them live in front of you but more than that, you can feel their total enjoyment in what they are doing; the audience feed off the actors enthusiasm who in turn respond to the crowd - perpetual energy has at last been found.

The final curtain call was met with standing ovations throughout, well deserved by all on stage and even more so by Directors Martyn Knight, Joanne Hand and Michael Trotter.  I hope that this great theatre has strong foundations because on this showing there will be many more throughout the 10 night run.

Grease, by Darlington Operatic Society, is on at Darlington Civic Theatre until Saturday 12th April - there are still a few tickets left but hurry - see the DOS website for more details.


PS - I couldn't write a review on a DOS show without mentioning my two favourite girls - Zoe Birkbeck and Chloe Dargue - Great Hand Jiving Chloe and Zoe, that mauve sweater - Oh My !!  x

Tuesday, 29 October 2013

Strictly Musicals by Darlington Operatic Society - Super Heroes

noun; alter ego - a person's secondary or alternative personality


Look back through history and very best super heroes all had alter egos - Clark Kent was Superman, Peter Parker was Spiderman, Diana Prince was Wonder Woman and Eric Wimp was Bananaman. In Strictly Musicals we are treated to performances from some of the society's young superheroes and get to glimpse both sides of their performing personae.

Mark Lamb, in his first DarlingtonOS performance provides the gritty and menacing opening to "Tonight" from West Side Story - explaining that "the Jets are gonna have their day, tonight" he is totally believable as a gang leader ready to tear up the town.  Coping admirably with the difficulty of this piece (this song is notable for its prominent perfect fourth intervals and pentatonic scale) Mark gives a stirring demonstration of the concentration needed to maintain his piece in a 5 way ensemble.  Flip that to his duet with the delightful and perfectly cast Hannah Lambell in Disney's "Can you feel the love tonight" and we see Mark's alter ego - soft & smooth harmonies and a vulnerability which draws on the audience heartstrings.

Another couple who too have "split personalities" are Chloe Dargue and Jason Slater.  Chloe might be a little bundle of energy and fun, but she fills the stage with presence and draws eyes towards her regardless of the part she is playing.  In Matilda she is the epitome of a 5 year old girl; pouting, sassy, stroppy and desperate to be older than she is (and with two daughters of my own boy do I remember what 5 year old girls are like).   Likewise in the Disney medley Chloe bounces round the stage with youthful exuberance which has only gotten more with each show.  Exit stage left innocent Chloe and enter stage right sexy, sultry and slightly dangerous Chloe.  As a dancer she has moves that are hypnotic and hips that could give you whiplash.

Jason has the unique position in the show of becoming just what he is looking for - in the Rogers & Hammerstein medley he bemoans the lack of 'dames' in his deep rich baritone voice (which is like molten chocolate) as the guys collectively extol their virtues 'South Pacific' style.   In the Disney montage he takes a step further and is encouraged by the gang to "Kiss the Girl".  By the time the Hairspray finale comes alive he has obviously decided the best way to get a girl is to become one - as Edna Turnblad he gives a hilarious glimpse into his Christmas ham loving, "I don't give a damn" mama.

Continuing with the 'second selfs', Zoe Kent proves that strong acting is required just as much as singing for musical theatre.  In the Cell Block Tango she has all the sinister woman-scorned anger you'd expect from a murderess but keeps it bubbling just under the surface, making it all the more threatening.  Then, mid way through the second act she joins with Debbie Barrigan and Samantha Morrison as Alex, Jane & Sukie in the soul-searching, childhood reminiscing "I Wish I May" with some of the most moving harmonies in musical theatre.

Our final pair of dichotomic duals are Ben Connor and Zoe Birkbeck.  Ben has a wonderful comedic quality which he delivers perfectly as Will Parker, explaining that 'Everything's up to date in Kansas City' in a real Mid-American twang (especially when praising the new fangled ray-dee-ay-tors).  Zoe is a true Gemini, twins in one person - in Matilda she sings with a childlike voice (reminiscent of Bonnie Langford as Violet Elizabeth Bott-sorry, that's showing my age) full of attitude and stubbornness , but when she and Ben join together for 'Solo Saxophone' from Miss Saigon the hairs stand up, the goose pimples rise and the heart beats faster - the chemistry is almost palpable and you can hear the audience holding their collective breath.  She is a brilliant example of everything that is great about DarlingtonOS - an obvious enjoyment of performing, a genuine love for the audience and a smile that lights up the stage wherever she stands.

So, whilst there are almost 50 stars on stage through each performance of Strictly Musicals, there are really over 100 star performances.  How lucky we are !

Strictly Musicals comes to a close tomorrow night - Saturday 2nd November - but there are still a few tickets left - call the ticket hotline on 01325 486555.

ALSO - For One Night Only - Darlington Operatic Society will perform Strictly Musicals for the Mayor's Gala - Saturday January 18th 2014 at the wonderful Darlington Civic Theatre.  Tickets available from the Box Office or via 01325 486555.