Beauty and the Beast at Theatre Royal, Newcastle
Ask anyone what they think of as the signal that Christmas
is coming and they might say Christmas adverts, songs on the radio, planning a
big meal, buying gifts, the Coca Cola wagon but for me the real sign is when
the Theatre Royal start their Pantomime.
Rightly heralded as one of the very best in the country, this year’s
offering of QDOS’s Beauty and the Beast has taken the very best elements of the
traditional seasonal fun and blown it into a new level altogether. This is not just panto excellence, this is
theatre excellence.
While some pantos have resorted to using gimics to try and
set themselves apart – 3D visions, cameos by pop stars and reality tv, bizarre
twists in the story, all of them, bar
none, pale into insignificance when compared to Newcastle’s finest. Written, produced and directed by a team who
all hail from or are based in the North East, this show is perfection beyond
compare and instantly taps into our rich culture, heritage and love of
laughing.
The story retains everything about the original and why
wouldn’t it – it’s a wonderful story tailor made for panto. The sets are exquisite, rich, deep and packed
with detail. Choreography, both in
costume design and routines are like a mix of the most elegant Viennese ball
and the best bits of Strictly.
Of course, what makes a Panto really shine is the cast and
once again, Newcastle have the best in the country, if not the whole of Panto
world.
Danny Adams, Clive Webb and Michael Potts provide so much fun
they should carry a health warning, Chris Hayward as Mrs Rita Potty is the Geordie
mother we all wish we had and the beautiful Laura Evans as Belle ensures we
have some delightful feminine charms to counter the madness. Nicola Meehan sets the scene for the whole evening
with a breathtaking transformation from old hag to stunning enchantress whilst
Chris Cowley as both the prince and the beast is totally believable as bad guy
made good. Even Wayne Smith as Belle’s desperate
love wannabee elicits some sympathy, possibly in part because he is a wonderful
mix of Lazy Town’s Robbie Rotten and Elvis Presley.
Having watched lots of pantos all round the country I do
believe that Newcastle is blessed with something others can only wish for –
Danny Adams in his finest. Danny is worth
coming to see on his own, he is a magician in his art and had this 50yr old
rolling in the isles along with the 5 and 6 years olds (though often for very
different reasons). A master of
slapstick, ably abetted by panto stalwarts Webb and Potts, at times I found myself begging
for him to stop just so I could grab a desperate breath or two. He is a magical blend of Lee Evens, Norman
Wisdom, Max Wall (yes I’m that old), Freddie Starr and Tommy Cooper with a penchant
for tongue twisters and singing that would paralyse most people’s vocal chords. One song in particular, where he names all
the people and places in the North East should be used as by the tourist board
as an advert.
What is most noticeable about this panto is that despite
there being an obvious billing hierarchy, and a group who are into their 15th
year at the Theatre Royal, everyone, and I mean everyone, has equal input into
making it the best Christmas show in the country.
My advice, if you love to laugh, if you love to see others
laugh (including the cast) and if you love yourself, then get tickets for this –
you’ll be on a high for days after.
A 5 start show with an extra star for Danny Camp, this
return to traditional panto is packed with laughs, stunts, knife throwing, mess,
gloop, brilliant songs and bags and bags of fun.
On until Saturday 19th January
2020
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