A great way to warm up for the festive funtime
Back once again like a renegade master, this timeless classic
has been revamped for the modern age, a High Def version if you like and, as
one would expect from a show which centres on such a range of colours, it
really benefits from the use of 'new age' technology and choreography.
The story of the Lloyd Webber /Rice musical collaboration is
probably as well known as the biblical story of Joseph; for many it is
their first foray into musical theatre either as a child on a school trip or
playing a part in a school production. As such, as you settle into your
seat and the first few bars of the opening overture build, there is a
comforting warmth of knowing contentment, but with this comes the danger
that familiarity breeds contempt. Well, fear not, for this production is
as fresh and dazzling as a first year show trying to get an extension.
The casting of Danielle Hope as the narrator is inspired;
Danielle takes centre stage regardless of where she stands, has all eyes on her
without demanding any attention and has the perfect voice to tell the
story. This is one of the hardest roles to perform in musical theatre, it
needs verbal gymnastics linked to an impeccable memory to keep track of
all the brothers and colours, there needs to be sympathy, empathy, passion and
no small amount of humour, it all has to be kept within the frame of being
a storyteller and Danielle manages it with aplomb. Many years ago I
watched my first production of Joseph, the narrator, Karen, was brilliant
and ever since none have been able to compare - you never forget your
first - but Danielle is certainly a candidate to take that crown.
Lloyd Daniels as Joseph has all the innocence and naivety
needed for the early part of the show (thought just quite how innocent he can
remain playing with Potiphar's wife each night remains to be seen) - whilst
later he manages to morph into Pharaoh's aide with all the pomp and
importance. Having one of the most iconic songs ever performed in musical
theatre, Any Dream Will Do, Lloyd clearly enjoys the responsibility and revels
in his multicolour frockery.
The rest of the supporting cast have boundless energy, which
is just as well as Henry Metcalfe has the choreography turned up to
11. Flappers, cowgirls, vamps, Frenchmen and of course, camels, all test
the repertoire and all are fabulously performed with no shortage
of humour. The lighting design is particularly worthy of
mention, never have the colours been so pure, so vibrant and clear - it really
is like watching in High Definition.
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