Okay, for most people, 50 Shades of Grey was a wonderfully liberating, if somewhat naughty book which allowed women across the country to spend their lunchtimes at work escaping into the realms of erotic BDSM without having to hide the book inside a copy of Womens Realm. I have not read it, nor any of the many spin offs and knock offs that sprung up in a 'summer of sin' but I know those who have so I took a couple of them with me to see this one woman show which takes the 50 Shades themes and rams them deep into the back alleys of the East End.
Firstly, Adele Silva, who for many is the brattish teen from
Emmerdale, shows that she is a truly gifted actress - she can sing, she can
dance, can cover many different accents and characters and has
impeccable comic timing. Whilst the story she was retelling didn't ring
many bells for me, the way she brought each character to life was undeniably
brilliant. It is easy to see why this show has sold out so many venues -
I found myself thinking of the Godbar play Bouncers and the way that brings
real life front & centre.
Now, the story - well it's almost your typical girl meets
boy, girl falls in love, girl realises that this an isn't for her and returns
to the fold of her friends and kind - I said 'almost' a typical story
as the focus very rapidly shifts to whips, chains, blindfolds and
submissiveness. There is a very funny gypsy party and a hilarious if
somewhat cringe worthy encounter in the dole office. What Silva does is
ensure that her main character, Maggie, never loses her grounding, helped
throughout by a smattering of non-expletive words amongst the swearing, cursing
and 'chav-talk'. This is certainly NOT a show for anyone who is easily
offended by 'industrial' language, especially when spoken by a beautiful and
demure lead, but it's possibly more shocking because deep down everyone knows
that Maggie is stereotypical of so many young women (think TOWIE when the
cameras stop rolling).
Ms Silva only breaks character once, prompted by the audiences
reactions to a rather graphic statement featuring John McCririck, showing that
underneath the coarse and brash persona of Maggie lies a brilliant actress who,
for almost 2 hours, has solely and totally owned the stage.
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