Saturday 26 October 2013

Strictly Musicals by Darlington Operatic Society - Tears in the Ice Cream

"My eyes were still full of tears at the interval, I couldn't see my ice cream!"

Continuing with the in-run reviewing of Darlington Operatic Society's Strictly Musicals, I spent time on Monday evening talking with members of the audience to get their thoughts on this spectacular selection of musical theatre.  With such a variety of styles on offer it was very interesting to see what appealed to whom & whether there were any synergies between specific acts and sections of the audience.

Firstly, everyone agreed that this show is a fabulous showcase for the talent throughout the society;  a multitude of performing riches which any production company in the country would be blessed to posses.   What was noted too was how refreshing it is to see a group of people on stage who did not all fit the media portrayed stereotypical 'performer / dancer' model - these are real people with real lives outside of the theatre and this made them instantly relatable while at the same time even more in awe.

The emotional power that this cast have is quite scary at times; whether it is a solo/duet or a rousing ensemble.  Tears were once again shed throughout the show, firstly as Samantha Morrison delivered a breathtaking "Don't Cry for me Argentina" (which I have to admit is every bit as good as Julie Covington / Elaine Paige).  Just as the cheeks were starting to dry, Tina Davis led the cast into the Blood Brothers medley which, with its heart wrenching signature tune Tell Me It's not True, was guaranteed to prick at the tear ducts again.  Not wanting to let up,  the audience were whisked away to revolutionary France for One Day More which ends in a full company chorus stirring even the hardest of hearts.  Never has the Civic Theatre echoed with the rousing voices of almost 50 performers singing as one, a real call to arms.   One member of the audience was still in tears when she went for her interval ice cream, so much so that she needed a little help in seeing the right change through watery eyes.

The 2nd act is a little easier on the tissues until Claire Willmer takes to the stage with Someone Like You.   In the first act Claire gives a stunning rendition of You'll Never Walk Alone but it is this song, from the lesser known Jekyll & Hyde, that really showcases her unique voice.  It's hard to describe, think if Amy Winehouse had ever sang musical theatre - sexy, smoky, sultry and yet still innocent and a little naïve.

The brilliance of Joanne Hand's directing is that whilst there are undoubtedly some amazing musical numbers with powerful and moving voices, the dance routines give and take equal place - they are not schedule fillers allowing time for costume changes but demonstrations of collective cohesion, timing and style which have complete stage filling impact.  The choice of routines is very impressive; the opening overture is a throw-back to the Busby Berkeley directed blockbusters of the 40's with grace, glamour & feathers galore; the Fosse inspired numbers Hot Honey Rag and Sing, Sing, Sing are perfect examples of the style renowned the world over for demanding absolute precision and coordination (a style which tests even the most professional of dance troupes) but the payoff for hours of  dedication in rehearsals is there for all to see.  Selena Blain, Claire Monaghan, Lisa Forster, Annika Tang, Susy Kelly, Becky Nelson, Colette Serrechia, Karen Stone and Claire Williams are the core of this amazing dance group and again demonstrate the breadth and depth of talent (especially when you realise that these girls are on stage for many of the other numbers too in one guise or another).

The real success of this show lies with the fact that there truly is something here for everyone; traditionalists will love the Rodgers & Hammerstein Medley, modern fans will instantly recognise Wicked & Matilda, kids will sing & clap to the Disney mix and everyone can get up & shimmy to the Hairspray conclusion.

There are still a few tickets left for the remaining shows so don't spend November wishing you had been, spend it recounting the great things you've seen.


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