The South Pacific - A vast expanse of emptiness dotted with little island gems
The world was a very different place when Rodgers and
Hammerstein created South Pacific. It was larger, less travelled and as
such, more mysterious. Peoples' opinions and beliefs were more rooted in
the culture of their home towns and prejudice sat silently behind every
decision. On one hand, the story is a fun loving musical about an
American base on the farthest reaches of Uncle Sam's West Coast frontier - on
the other hand it is a veiled attempt at painting a twee fairy tale of good
overcoming evil and love conquering even the staunchest of bigotries.
The set up is typical R and H - introduce strong, powerful,
confident bachelor with a long established routine and a honourable, if
somewhat distant, reputation. Add to that a young woman, pretty, simple
yet determined who creates a maelstrom that rips through his ordered
life. Slip into the background some lovable 'rouges' and a presumably
innocent side story and, hey presto !, you've got a musical.
The production values were excellent as you would expect from
such a well supported tour. Sunderland Empire again shows why it is
the region's greatest at large stage productions. The sets make
clever use of the depth of the stage and the ever changing back view of the
ocean and Bali Hi have an almost subliminal presence. The orchestration
too all add to the enveloping sense of the heat, the remoteness and the
claustrophobia of this tiny area far from the mainland.
The show is a shade under 3 hours plus interval (thankfully
the seats are very comfortable and the leg room close to being the most
generous) and this is the nub of any disquiet - it's an old style
show, with old style themes, old style values and old style pacing and
3 hours is just too long for it to keep modern audiences on the edge of their
comfortable seats. Competing with the faster tempo of shows
like Chicago and Thriller or the intensity of Titanic the Musical, South
Pacific just doesn't have the 'wow' factor anymore. Likewise, there are a
few dubious threads which today just don't sit well. Racism and what is
almost bordering on child prostitution sit within the two main love
themes. There isn't enough of the story devoted to portraying how these
actions were then accepted by society so instead of them being 'of the
time' they are trivialised, making them even more abhorrent.
The much vaunted highlight songs - "Happy Talk",
"Wash that Man Right Outta my Hair", "Some Enchanted
Evening" "Nothing like a Dame" and "Bali Hi", whilst
being hugely well known are from a bygone age - they are not
sing-along classics, in fact they are not even foot-tappers so you a left
feeling that you are watching a rendition, at the end of which there is polite
applause and then silence. Regardless of the cast - who were all
excellent - you just can't inject enough of today to stop South Pacific
feeling like watching a black & white movie.
South Pacific is on at Sunderland Empire until Saturday 12th
May - if you are a fan, a real fan, then you will love it - if you enjoy
more modern musicals then this may not be for you at all.
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