"It
started out as a few drinking buddies singing songs round a pub piano, it
became one of the most respected and professional outfits doing the club
circuit across the north of England" - and so The Glee Singers, and the
timeless qualities of glee clubs across the world was born.
Founded
in the hard working (and hard drinking) South Yorkshire Coal Mining district,
glee clubs were far removed from the glam & glitz of the American TV
series, but the harmonising songs took over the clubs, dancehalls and theatres
with far more impact than the modern stateside shows. This play, written
by Richard Cameron, gives an insight into the trials & tribulations facing
the stereotypical coal miners of the early sixties and does so with a wonderful
blend of comedy and heartache backed with their own soundtrack.
The
story tracks the colliery glee club as they practise towards their annual gala
show but it is the life stories of each member which take centre stage; a
young starry eyed wannabee, a failed marriage, lost family and a whole host of
skeletons in the cupboard provide no end of twists. If this was a novel
it would certainly be classed a 'page turner', the great cast had the audience
riveted from start to finish and the quality of the writing gave the 6 actors
so much to work with that each could be given top billing.
The
laughs come more from the accuracy of human conflict and working class
camaraderie rather than set up humorous situations, almost bitter sweet in some
essences and most certainly something which the audience can recognise and
relate to.
When
you look at the collective resumes of those on stage it is like reading
a smorgasbord of great British TV, film & theatre. John Burton,
Michael Chance and Paul Clarkson have probably between them starred in almost
every major TV show in the past 15 years, whilst Anthony Clegg and Sean
McKenzie have theatre credits to rival even 'Sir Johnny' & 'Sir
Larry'.
Stand
out performance for me, however, was Marc Pickering playing
Colin, the youngest of the group - belying his tender age (and his even younger
looks) Marc has already starred in Hollywood films, worked alongside Helen
Mirren and played 'R Wayne' in Peter Kaye's TV talent show spoof
"Britain's got the X Factor ...........". In this show he gives
young Colin the naive qualities of youth tempered with the premature
worldliness of a boy doing a mans job deep underground. He really is
a young actor (and accomplished singer & dancer) who TV & film
producers should be using much, much more - hopefully they will do
so in the very near future.
I
would definitely recommend this play. It is a worthy addition to the
pedigree of Hull Truck Company productions and, as with previous shows from
this amazing stable of stage wonder, it lets the writing and the actors create
the story and envelop the audience completely.
Make
no mistake, this really isn't anything like the American show; there is male
nudity, adult themes and plenty of 'industrial language' but it is very honest,
completely engaging and perfectly played.
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