Some
artists lend themselves to great tribute acts – Gary Mullens as Freddie Mercury
springs instantly to mind, not to mention the thousands of Elvis copies
currently touring the world, but there’s no-one, no-one on earth who could
possibly try and recreate the King of Pop, Michael Jackson. And this
thought played very heavily on my mind as I took my seat at Sunderland Empire
to watch Thriller Live!.
I was
desperately hoping that I wouldn’t be subject to a ‘Stars in your Eyes’ type
attempt at recreating the unique genius of MJ. I was almost fearful of
having to watch a ‘karaoke style’ gambol through some of the best pop, rock
& soul songs ever written. I was …. well to be honest, I was worrying
about nothing. From the first explosion on stage this was a fabulous
homage to Michael Jackson, delivered by a group of extra-ordinary artists and
dancers who obviously love the style, magic and presence of Jacko without ever
trying to ‘be’ him.
The
show starts as a ‘HIStory’ lesson into how the Jackson 5 formed, their first
forays into the pop scene and the Motown classics on which they cut their
teeth. Fantastically led by Blaze Ellis Porter (a pocket
dynamo of amazing soul & stage presence) we were treated to such classics
as ABC, I Want you Back, I’ll Be There and The Love you Save. Accompanied
by exciting choreography and cutting edge technical stage scenes, this was the
first time I have ever been up, out of my seat dancing so early in a show.
As we
moved forwards in time, ‘Michael’ changed into a young adult and the songs
changed too – Another Part of Me, Shake your Body and Blame it On the Boogie
all grabbed the disco funk of the late 70’s – with a wonderful New York disco
scene adding to the party atmos.
By now
I had watched all the dancers and noticed that one or two were exceptionally
adept at performing some of the MJ signature moves; the little hitch kick, the
toe spin and the side-slide (but not the moonwalk, well, not yet anyway). Jermaine
Johnson, Aaron Witter and Magnus Ainang in particular were amazing,
uncannily capturing the essence, style and pizzazz of MJ. Of the
girl dancers, Crystal Hantig was superb, she managed to morph
her style and attitude to match each different song & era perfectly and
definitely got a very starry future ahead of her.
Smoothly
progressing into the ‘Off The Wall’ period, the hits kept coming (well, it was
a MJ catalogue so there were never going to be any dull moments) and the
routines, staging and choreography meant each song was given its own
accompaniment without any delay. To be honest, it was almost like
watching a series of music videos; music video where the artists
constantly look to get the audience involved in the often riotous
production – the quality was first class, the music was played to perfection by
the band and the stage delivery was like a well scripted movie.
The
lead singers changed regularly, each having the opportunity to put their own
blend and style on the Jacko songbook. On the whole they were all
excellent, although I was somewhat a little puzzled by the casting of Nathan
James. Nathan is a hunky sort of a guy, not the stereotypical MJ
build, nor is he blessed with the dancing prowess usually associated with the
delivery of these songs. Also, Nathan seemed to struggle to contain his
obviously powerful voice, especially when giving us his rendition of Out of my
Life. Undoubtedly talented, I’m not sure that this was the right show for
him.
I
won’t go through the entire play list; to do so would spoil the excitement of
hearing a riff or hook from a song well before it has been mixed in and
delivered. Likewise the staging and production really has to be seen to
be believed. I will, however point out that the second half was spent
entirely on our feet, clapping, dancing and singing along to Smooth Criminal
(in which we were treated to the ubiquitous Moonwalk and the famous ‘leaning’),
Man in the Mirror, Billie Jean, Beat It, Bad and of course Thriller !
The
evening concluded with a nonstop reprise of songs & dances in which the
cast let loose and just ‘jammed’ while the audience lived it up, longer &
louder.
If you
like Michael Jackson, like his music, like his dancing, like his showiness, then
I urge you to come and see his legacy – this is about as good as we can
possibly get now the great man has gone, it’s no replacement but it’s a great
substitute.
Thriller
Live is on at Sunderland
Empire from 11th July to 16th July.
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