One of the worlds best known and most loved musical shows is back at Darlington Civic this week and, despite it being an incredible 44 years since first performed it shows no signs of getting old or going stale.
Everyone
knows the story of Joseph and his 'bonny jacket' making this one of Andrew
Lloyd Webbers most popular shows ever, in fact, the provenance and power of the
show means it no longer needs an established 'star' player in the title
role and instead can help expose new and emerging talent. Previous
incarnations of Joseph have included Pip Schofield, Jason Donavan
and Donny Osmand, while more recently, and in a joint re-launch / BBC
ratings grab, the pseudo reality show "Any Dream Will Do" launched
the concept of televised auditions to find the very next 'superstar'.
For
this current tour Keith Jack takes the titular performance
and, as you would expect from someone who narrowly missed out on winning the
afore mentioned show, he plays a perfect Joe. Possessing both a great
voice and the boyish charms needed to ensure Joseph stays believable as the
"fresh faced messenger of God", Keith is not fazed by the huge
footsteps he is following in.
Likewise,
Lauren Ingram never looked concerned by the pivotal role the
narrator plays in keeping the show flowing. She was word perfect with the
daunting memory-testing lists of brothers or colours, lists which have
caused others to stumble. (Whilst I was in 6th Form I acted as musical
director for the school production of 'Joseph' and remember having
to write all the colours down one of the narrators arms, with the
brothers' names written down the other - sorry Karen, let your secret
out). She has a wonderful voice, clear, friendly and perfect for story
telling. I would expect to see a lot more from Lauren over the next few
years.
The
cast on the whole are a very refreshing mix of young, and dare I say, new
actors. It is great to see such exciting talent together on stage, quite
obviously having fun and revelling in the audience's enjoyment.
The
pedigree of Joseph, its history and the way it has become part of popular
culture means regular 'house-full' signs, where ever it plays, but I
believe that this performance in its own right deserves to be sold out every
night.